“I found Jessica Ambler twice, she curated both Edward Steffanni’s God-Shaped Hole, with its hunting imagery, camouflage, ceramics, and exploration of masculinity and desire, and Derek Olinger in Sugar Coated, a highlighter color explosion filled with classic television imagery. The two showcases could hardly look more different, but both, for their elaborate exhibition design, a staple of the fair, show how much the execution of a booth can shape how we encounter the work.”

Alexandria Deters, “Good News Hiding in Plain Sight at SPRING/BREAK”, Cultbytes, September 26, 2026.